DIR - 52 THE FACES - LIVE IN SANTA MONICA 1970

THE FACES - LIVE IN SANTA MONICA 1970
Il Dizionario Del Rock – N.° 52

01 - Flying
02 - Medley:
 - Around The Plynth
 - Honky Tonk Women
 - Gasoline Alley
03 - You're My Girl
04 - Wicked Messenger
05 - Too Much Woman
06 - It's All Over Now
07 - Around The Plynth (reprise)

Note:
Recorded at Santa Monica Civic Auditorium, CA - 1970-10-30

Lineup:
Rod Stewart - vocals
Ronnie Lane - bass, vocals
Ronnie Wood - guitar
Ian McLaglan - keyboards
Kenney Jones - drums

This album is part of the italian series made by Armando Curcio Editore.

This album as been digitally remastered in 1991, it has a fine cover, fine audio quality for the time.

Due to its rarity and good quality, this disc is recommended. These bootlegs offer an excellent image of the various bands, in some cases, better than the official material of the time. Please note that many of these bootlegs and songs have been released officially in different moments:

Please read below for other infos.

Audio quality: 
Quality content: 
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The Faces - Santa Monica 1970 bootleg
Deep. Downright, it is downright deep vintage appearance of the album. This work, I no longer a live album that was digitized from the original reel to direct the name board of TMOQ label also said the legendary “PLYNTH”. It is TMOQ label laid the foundation of the audience recording culture in a number of great records, but surely, it …… is going to be discovered the original reel.
Weight of history, depth of culture, the sound has told eloquently. What is recorded, of course, of THE FACES “Santa Monica performances October 30, 1970”. By from name board “PLYNTH”, a great sound of unbelievably and 1970, even in the wake analog it is transmitted to the present day, I was full of dynamism and clear of that jump over the space-time. However, in the present work that is the original reel, veil that was a scratch noise and faint even been tought, is the realism like being in the same room as though THE FACES come flowing into the ear.

Its rich sound, the very best of the vintage sound. Pulsing like rhythm, roll keyboard, pathos of Flaring Rod Stewart, of course, great guitar sound more than anything else. Vivid heard to sound rubbing the strings, pulsing Ron Wood of the sense of rhythm. 21st century is not passed about 15 years, even in modern digital recording, … and whether you can record the direct feeling up here. To tell you the truth, no choice and I wanted to write the four characters of “ultra-high sound quality” from earlier. However, if I write it, in rather cheap now not achieve better results or …… real enough to seem so, in clear, direct, and I a romantic sound.
While been immediately band imminent until there, the raw sound of the play, the British rock of correctly “1970”. The loose even light, mellow even where it dripping blues. “Love In Vain” In dance guitar like Plucking lightly in silence, and each other exchanged feelings to play with singing voice was hoarse. In the turn to “I Feel So Good”, hot hot passion riding to beat that sounds to Zunzun and waist can be over and over again Neri overlaid. And, “Blues Deluxe” deep, deep to blues expression Magou with no audience recording of a very sharp 1970 of sight spread in any song. While sound you proviso of “I in this era,” “In the audience recording” I do not need, “precisely because this era” taste of “precisely because the audience recording” is I come oozing with Juwajuwa.

Setlist

This excavation has been reel, which was recorded the second half of the show over 64 minutes. Therefore, although early in the “Wicked Messenger”, “Flying,” “Too Much Women For A Henpecked Man,” “You’re My Girl,” “Country Comforts” I not been recorded, but not in the “PLYNTH” to reverse the “Cut Across Shorty, “” Maybe I’m Amazed, “” I Want To Be Loved, “” I will listen I Feel So Good “,” Had Me A Real Good Time, “” Blues Deluxe “is plenty.

In this way to write, you might would seem also to something or halfway, impression you heard, rather than rather “PLYNTH” natural. The first place “PLYNTH” itself makeshift during analog recording, it is picked up from various places of the awards had been editing complex. On the other hand, this work (to say only the second half) because recording is as it is I can be passed through to listen to nature. This work is a live album where you can enjoy the best stage of THE FACES without hyperbole. However, beyond its dimension, is a valuable record of the audience recording culture that was in the early days, it is also at its best masterpiece. Despite its luxurious best vintage, best rich sound that does not excuse the “Full of taste”. The lock Cordova Eve configuration beyond time and space, please experience by all means.


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