Il Dizionario Del Rock – N.° 9
1 Foxy Lady 5:03
2 Red House 10:54
3 I Don't Live Today 5:33
4 Spanish Castle Magic / Star Spangled Banner / Purple Haze 19:42
Note
Live at Los Angeles Forum 1969, April 26, 1969
Lineup:
Bass [Basso] – Noel Redding
Drums [Batteria] – Mitch Mitchell
Guitar [Chitarra], Vocals [Voce] – Jimi Hendrix
This album is part of the italian series made by Armando Curcio Editore.
This album as been digitally remastered in 1991, it has a fine cover, fine audio quality for the time.
Due to its rarity and good quality, this disc is recommended. These bootlegs offer an excellent image of the various bands, in some cases, better than the official material of the time. Please note that many of these bootlegs and songs have been released officially in different moments:
Please read below for other infos.
Audio quality:
Quality content:
© Official released material:
"I Don't Live Today", originally mixed by Eddie Kramer in June of 1969 for a proposed live album, was issued as part of THE JIMI HENDRIX EXPERIENCE box set in 2000
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Live at Los Angeles Forum 1969, April 26, 1969The April 26, 1969 performance at the Los Angeles Forum would mark The Experience's first and only performance in the LA area in 1969. An inspired set performed before a raucous, sold out house.
And since we’re celebrating the 50th anniversaries of things, something classic and historic, although probably not all that rare or unusual this week. Just about everyone who has a passing interest in the music of Jimi Hendrix has probably heard this or the hundreds of other concerts, sessions and outtakes from his well-documented, albeit short, career.
But this concert is a bit different. For one thing, I remember it pretty well, having been the second time I went to a Hendrix concert. The other, this concert was recorded under optimal conditions, for what I believe was to be a live album. The famous Wally Heider Remote recording truck was in plain view and so the sound is pretty spectacular.
The trouble with a lot of historic live performance recordings, particularly in the area of Jazz and Rock is the overabundance of really lousy sounding ones. Usually at the hands of one person with a tape recorder and microphone, both concealed, and a sound that falls somewhere between unrecognizable and tuberculin.
Sometimes, even under ideal conditions, the result is less than successful. Case in point, are the rock concerts from the Hollywood Bowl, which I have run here occasionally (and there are more in line to be run). The technical limitations of the staff and simply no multi-mike mixing has made for some horrific recordings. But the sheer rarity of those recordings makes running them the exception to the rule.
Downloadhttps://mega.nz/#F!V3xGUY6A!s0QPt_pFllian-IQyV_kSA
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