domenica 11 novembre 2018

DIR - 03 THE BEATLES - LIVE IN STOCKHOLM 1963 - LIVE IN USA 1964-65

THE BEATLES - LIVE IN STOCKHOLM 1963 - LIVE IN USA 1964-65
Il Dizionario Del Rock – N.° 3



1 I Feel Fine 3:14
2 I´m Down 2:27
3 Act Naturally 2:38
4 Ticket To Ride 2:35
5 Yesterday 2:22
6 Help 2:48
7 All My Loving 2:11
8 Till There Was You 2:11
9 I Want To Hold Your Hand 2:50
10 I Saw Her Standing There 2:45
11 From Me To You 2:02
12 Money 2:59
13 Roll Over Beethoven 2:19
14 You Really Got A Hold On Me 3:07
15 She Loves You 2:30
16 Twist & Shout 2:46
Durata totale: 41'52''

Note: 
Tracks 1 to 6: USA 1965
Tracks 7 to 9: USA 1964
Tracks 10 to 16: Stockholm 1963


Tracks 1-6 recorded on 14 August 1965 at Studio 50 in New York - Ed Sullivan Show
Tracks 7-9 recorded in New York on February 1964, First Ed Sullivan Show
Track 10-16 recorded in Stockholm, Sweden 24/10/1963

Lineup
John Lennon: vocals, guitar, harmonica
Paul McCartney: vocals, bass
George Harrison: guitar, vocals
Ringo Starr: drums

This album is part of the italian series made by Armando Curcio Editore.
This album as been digitally remastered in 1991, it has a fine cover, fine audio quality for the time.
Due to its rarity and good quality, this disc is recommended. These bootlegs offer an excellent image of the various bands, in some cases, better than the official material of the time. Please note that many of these bootlegs and songs have been released officially in different moments:
Please read below for other infos.

Audio quality
Quality content
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The Beatles
So much has been said and written about the Beatles -- and their story is so mythic in its sweep -- that it's difficult to summarize their career without restating clichés that have already been digested by tens of millions of rock fans. To start with the obvious, they were the greatest and most influential act of the rock era, and introduced more innovations into popular music than any other rock band of the 20th century. Moreover, they were among the few artists of any discipline that were simultaneously the best at what they did and the most popular at what they did. Relentlessly imaginative and experimental, the Beatles grabbed hold of the international mass consciousness in 1964 and never let go for the next six years, always staying ahead of the pack in terms of creativity but never losing their ability to communicate their increasingly sophisticated ideas to a mass audience. Their supremacy as rock icons remains unchallenged to this day, decades after their breakup in 1970.

It's hard to convey the scope of the Beatles' achievements in a mere paragraph or two. They synthesized all that was good about early rock & roll, and changed it into something original and even more exciting. They established the prototype for the self-contained rock group that wrote and performed its own material. As composers, their craft and melodic inventiveness were second to none, and key to the evolution of rock from its blues/R&B-based forms into a style that was far more eclectic, but equally visceral. As singers, both John Lennon and Paul McCartney were among the best and most expressive vocalists in rock; the group's harmonies were intricate and exhilarating. As performers, they were (at least until touring had ground them down) exciting and photogenic; when they retreated into the studio, they were instrumental in pioneering advanced techniques and multi-layered arrangements. They were also the first British rock group to achieve worldwide prominence, launching a British Invasion that made rock truly an international phenomenon.

More than any other top group, the Beatles' success was very much a case of the whole being greater than the sum of its parts. Their phenomenal cohesion was due in large degree to most of the group having known each other and played together in Liverpool for about five years before they began to have hit records. Guitarist and teenage rebel John Lennon got hooked on rock & roll in the mid-'50s, and formed a band, the Quarrymen, at his high school. Around mid-1957, the Quarrymen were joined by another guitarist, Paul McCartney, nearly two years Lennon's junior. A bit later they were joined by another guitarist, George Harrison, a friend of McCartney. The Quarrymen would change lineups constantly in the late '50s, eventually reducing to the core trio of guitarists, who'd proven themselves to be the best musicians and most personally compatible individuals within the band.

Download
https://mega.nz/#F!l250mQ4J!0mkbFeaD5RvVhK0nH6lKjA




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