domenica 11 novembre 2018

DIR - 30 JANIS JOPLIN - LIVE IN LOS ANGELES 1967-MONTEREY 1967

JANIS JOPLIN - LIVE IN LOS ANGELES 1967-MONTEREY 1967
Il Dizionario Del Rock – N.° 30



1 Combination Of The Two 6:03
2 Road Block 6:09
3 Farewell Song 4:37
4 Down On Me 2:52
5 Women Is Losers 5:03
6 All Is Loneliness 8:55
7 Call On Me 3:23
8 Ball And Chain 10:20

Note
1-2: Monterey 1967
3-8: Los Angeles 1967

Lineup
Janis Joplin – vocals
Sam Andrew – lead guitar, bass, vocals
James Gurley – guitar
Peter Albin – bass, lead guitar on 'Oh, Sweet Mary'
Dave Getz – drums

This album is part of the italian series made by Armando Curcio Editore.
This album as been digitally remastered in 1991, it has a fine cover, fine audio quality for the time.
Due to its rarity and good quality, this disc is recommended. These bootlegs offer an excellent image of the various bands, in some cases, better than the official material of the time. Please note that many of these bootlegs and songs have been released officially in different moments:
Please read below for other infos.

Audio quality
Quality content
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Janis Joplin
The greatest white female rock singer of the 1960s, Janis Joplin was also a great blues singer, making her material her own with her wailing, raspy, supercharged emotional delivery. First rising to stardom as the frontwoman for San Francisco psychedelic band Big Brother & the Holding Company, she left the group in the late '60s for a brief and uneven (though commercially successful) career as a solo artist. Although she wasn't always supplied with the best material or most sympathetic musicians, her best recordings, with both Big Brother and on her own, are some of the most exciting performances of her era. She also did much to redefine the role of women in rock with her assertive, sexually forthright persona and raunchy, electrifying on-stage presence.

Joplin was raised in the small town of Port Arthur, TX, and much of her subsequent personal difficulties and unhappiness has been attributed to her inability to fit in with the expectations of the conservative community. She'd been singing blues and folk music since her teens, playing on occasion in the mid-'60s with future Jefferson Airplane guitarist Jorma Kaukonen. There are a few live pre-Big Brother recordings (not issued until after her death), reflecting the inspiration of early blues singers like Bessie Smith, that demonstrate she was well on her way to developing a personal style before hooking up with the band. She had already been to California before moving there permanently in 1966, when she joined a struggling early San Francisco psychedelic group, Big Brother & the Holding Company.

Download
https://mega.nz/#F!F3xgTCCS!c7_BUXpYQIADhagYT0iK2A




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